Archive for Trips

Semiotic basics


Yesterday afternoon, I gave a lecture for the course “Researching Society” at Trinity College. Due to a shortage of rooms, a previous student’s commons room in Regent House has been transformed into a lecture hall. This was right on top of the main entrance to Trinity, overlooking the Campanile, so this was a textbook example of what one would guess that it feels like to teach in this place. A nice contrast to the rather murky and obscure rooms that I have taught my other stuff at Trinity in (even though they were also good experiences).


I lectured on the basics of semiotics to a class of around fifty students. These are a couple of excerpts (mp3 files):


The notion of the active reader within cultural studies (05:13)
The social construction of a piano (02:09)


Evening teaching


Evening teaching
, originally uploaded by Simon Lindgren.

I finished off this day at Trinity College doing a late afternoon session on text analysis with the Sociology Dissertation Seminar. Not knowing anything about their backgrounds, I felt I needed to be quite basic and gave them a runthrough of entry-level semiotics and social constructionism. One of my Trinity colleagues said during lunch: “Simon! They’re gonna love you!”. Well, I don’t know about that, but at least a few of them seemed interested, others more neutral. The morning talk about my own research went really well, and a lunch meeting got me invited to an event 30 metres from my apartment where I was promised to meet all of Dublin’s scene of young internet activists.


In Dublin


Department of Sociology
, originally uploaded by Simon Lindgren.

I am now in Dublin for three weeks as visiting professor at the Department of Sociology at Trinity College. I will be doing a presentation based on my own research (“Mapping Online Movements: Linguistic and Social Exchange in Digital Activism”) in the Arts Building (AB3051) on Wednesday, as part of the Sociology Research Seminar Series. Apart from that I will teach the Dissertation Seminar as well as the Researching Society course for two weeks each. On both of these, I will be covering digital semiotics and discourse analysis. The abstract for my Wednesday presentation follows.


The talk is about social interaction and mobilization in online contexts, with a focus on analyzing patterns of how people interact and organize through digital tools and platforms. I am interested in how patterns of organization, knowledge exchange and informal learning taking place within the domain of popular culture are translated (or not) into the political arena. The talk is based on two case studies; one of a movie pirate community, and one of Twitter activity using the #WikiLeaks hashtag. The aim is to analyze the potential of elusive web spaces as sites of mobilization. Looking at linguistic and social aspects, the main questions are: Is there a common discursive code?; is there a social order?; and is there commitment over time? Methods used are semantic, social network, and discourse analysis. I am interested in discussing if and how collective action within audiences of popular culture is can be translated into political action.


One step back

I am in Dublin for the TNM conference and just came across this sign in a shopping mall on Henry Street. Basically, they are offering you to pay for having your profile pictures for use on online social networks taken. Well, so much for DIY culture. One would sort of think that facebookers, tweeters and people networking through LinkedIn would also be competent users of digital cameras, webcams and such. McLuhan wrote in 1964 (Understanding media: The extensions of man) that one must realize that there is no stopping the flow and the development of new electronic media, but also made the point that all such new media and their potential uses are also being held back by the fact that people’s way of appropriating these new media is shaped by their experiences with previous media.


The student of media soon comes to expect the new media of any period whatever to be classed as pseudo by those who have acquired the patterns of earlier media, whatever they may happen to be. This would seem to be a normal, and even amiable, trait ensuring a maximal degree of social continuity and permanence amidst change and innovation. But all the conservatism in the world does not afford even a token resistance to the ecological sweep of the new electric media (McLuhan 1964/2001:216).


And surely, we still see a lot of people printing out websites on paper, calling on the phone to double check communications that have taken place online, choosing to read magazines on paper as well as digitally, etc. I definitely do some of these things myself sometimes. It is all natural that new media don’t replace the older ones right away. Instead, old and new media are layered and intertwined in increasingly complex ways. Loads of sociohistorical theories acknowledge that the development of culture will most likely take place in a sequence of two-steps-forward-and-one-step-back. Social media being part of a shopping mall photographer’s every day practice definitely represents two steps forward. But the idea that professionals should help users take their photos for these types of forums definitely represents one step back. At least.


ISA2010


Video of my experience at ISA2010 in Gothenburg, July 11-17 2010.
Mine and Jessica Linde’s presentation is here.


The Subpolitics of Online Piracy

Below is a video (slides+audio) of mine and Jessica Linde‘s presentation about the Swedish online piracy movement, given in the joint RC07/RC14 session on New Media Futures: Collective Action and Politics at ISA2010 in Gothenburg, July 16th 2010. We had a great experience doing this, since all of the other papers in this session were also very interesting, and it was great that 22 people (not counting paper presenters) had found their way to this session even though it took place on Friday night just before the congress party. We had a good discussion and met a couple of people that we intend to stay in touch with.



e-Youth Roundup

This is me (left) with my fellow presenters during the “Content Production” session at the e-Youth conference in Antwerp, May 27-28 2010.


Now, it seems as if a publication (not featuring myself, however) will come out of the conference, and a set of photos from the event have also been published here. My talk about YouTube and media panic is still available here.


YouTube Panic?

My talk about media coverage and discourse on youth, youtube and risks at the e-Youth conference in Antwerp, Belgium, May 28th 2010.



Pirate discourse talk

This is my talk, given today at the NMIC2010 conference.



Bonus material (questions and discussion) can be found here.


NMIC2010 in Istanbul

This week, I am attending NMIC2010 in the lovely city of Istanbul. The 2nd International Conference of New Media and Interactivity brings together scholars from a wide range of disciplines and countries to discuss topics such as the theoretical and conceptual framework of new media, new media and visual culture, networks and web technologies, and everyday life and new media.


This morning, I had the opportunity to listen to Christine Ogan – one of the keynote speakers – who gave an interesting talk about the role played by mass communication theory in the process wherein new theory has been developed in the field of new media research in the last ten years.


In the afternoon, I attended a number of interesting paper presentations: M. Hank Hausler spoke of urban digital media displays and the development of a protocol for generating collaborative creative content generation on such screens. At the intersection of architecture, information and culture, there is a lot of work to be done to meet the needs emerging from new modes of communication, and new ways of appropriating and navigating urban space. The things that are being done by Hank’s research group (UrbanAid, University of Sydney) seem really promising and exciting as regards possibilities for turning urban environments into connected multi-media spaces.


Melda Öncü Yıldız had written a thought-provoking paper on how the use of 3D computer graphics in movies affect the narrative and mode of storytelling, using examples from Star Trek, Star Wars, Tron, Lord of the Rings etc. to discuss this.


My colleague Ragnar Lundström did very well with his presentation on Representations of Benefit Fraud: Comparing Newspaper and Blog Discourse in Sweden and the UK. The talk was well delivered and generated the most engaged discussion of all of the papers in his session. All of the papers from NMIC2010 are available in a phonebook sized proceedings volume that will hopefully be available online in the near future.